People went out in droves this weekend and even stood in line for hours to see the reincarnation of one of Disney’s darkest and most feared villains, Maleficent. The film raked in over $170.6 million during it’s opening, proving that its star, Angelina Jolie, still retains her global appeal despite having been absent from the silver screen since 2010’s The Tourist. The film seeks to tell the recycled untold story of the classic fable Sleeping Beauty and its antagonist, Maleficent -- a miscreant so wicked she curses newborn baby Aurora at her christening. Directed by Avatar’s production designer Robert Stromberg, the film seeks to immerse you so deep into the fairy tale that you forget that it’s live action and begin to think that the world of magic and pixies is real. But does it succeed?
I checked out the film over the weekend hoping to see a modern and mature version (a la Ever After – which I loved) of a movie that scared the crap out of me when I was little. Disney is known for their candy coated narratives for kids but the pure evil antihero, dark undertones and haunting melodies of the original Sleeping Beauty were more in line with the stories of The Brothers Grimm and their Little Briar Rose which the film was based on. I predicted from all of the marketing (heavy on the Angelia, with no explanation of why we needed a new version of this classic) that the movie was going to be 97 minutes of her perfectly arched eyebrow and cold sneer but wondered if she could really carry it. The final verdict? She didn’t need to. The wonderland created by Stomberg steals the show in the first half of the film as Jolie slowly gets her bearings (maybe she was rusty?). We are introduced to the fairyland of “the moors” where all the magical creatures live and are left wondering, “how did they do that?” The marriage between live action and the artistry of CGI suck you in and the story is well on its way before you realize that… “hey, there are other people in this movie besides Angelia Jolie?!”
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Yes, yes there were… but just barely. Elle Fanning plays Aurora, more pawn in the battle between Maleficent and King Stefan (Sharlto Copley) than a real player in the story. Copley as the King was a little over the top, and the storyline didn’t do much to save him. After spending his childhood with her, and seemingly falling in love, young Stefan betrays Maleficent by drugging her and cutting off her wings in order to become king. When Maleficent retaliates by delivering her deadly curse on his newborn daughter, Aurora, King Stefan descends into a ridiculous obsessive state of vengefulness. So much so, that he can’t even go to his dying wife’s bedside because he must sit and have imaginary conversations with Maleficent. He sends his daughter away to be cared for by three pixies (Fittle, Thistlewit and Knotgrass—fun right?) until her sixteenth birthday, hoping that his nemesis will never find her. But no one is more cunning than Angelina… I mean Maleficent and she immediately goes to the cottage where young Aurora lives in hiding.
In act two, we see something that was definitely not in the cartoon version of Sleeping Beauty. What starts out as the fairy queen spying on Aurora turns into Maleficent looking over her. Maleficent’s merciless demeanor and spine tingling cackle are slowly melted away by Aurora’s burgeoning charm. The cutest scene is when toddler Aurora (played by Jolie’s daughter Vivienne Jolie-Pitt) waddles up to Maleficient who says, “I don’t like children.” Some irony there coming from Jolie, mother of seven. Maleficent picks up Aurora and holds her for a second before she sends her back to the cottage. Still holding on to her hatred of King Stefan, Maleficent almost sends 8-year-old Aurora over a cliff. But the once lighthearted fairy queen can’t go through with it. And when Aurora finally visits the moors, the merciless Maleficent is completely won over by her wide-eyed wonder. “I have a plan,” Aurora says. “When I get a little older, I’ll come and live here with you. We can take care of each other.” “Why don’t you live here now?” Maleficent says.
The evil queen and the young princess chillin’ together? This isn’t the sleeping beauty I remember! The story seems even more unfamiliar as Aurora pricks her finger as foretold in the curse and falls into a death-like sleep but the kiss from cute Prince Phillip (Brenton Thwaites) doesn’t wake her up. Say what? Isn’t this true love’s kiss? The story ends and we find that true love isn’t always romantic. Aurora and Maleficent have to team up to help each other defeat the crazed King Stefan and the story is suddenly more Thelma and Louise than the romantic Disney fairy tale we all remember. Overall, I thought the story was a bit choppy and the performances could have been stronger but I wasn’t mad at the effort. Really though, what was disappointing was the lack of maturity in the story. This may be a modern retelling but it’s still one for the kiddies. Should you see it? Sure, but bring your little cousins too.
Sisters Kimberly and Wendy Willming finish each other’s sentences. Like a lot of other sisters, they have cultivated a short-hand language over a lifetime together. But even considering their 26 years together, these sisters have an uncanny understanding of one another. They’re twins, and though they’re technically fraternal, they look so much alike that it’s unsettling upon first meeting them. The Willming sisters not only grew up together, but they were college roommates. Today, the two currently live together in Los Angeles and have recently embarked on a creative and strategic adventure together. After a handful of years spent behind-the-scenes at some of the city’s major studios, Kimberly and Wendy have launched Duplicity Studios. A new media one-stop shop.
These ambitious and entertainment savvy twins are developing their own productions, but more than that, Duplicity is art house new media studio. The duo are crafting strategic partnerships and original content for hungry, entrepreneurial brands. With an entertainment industry so deeply cemented in traditional milieus, these two are carving out a new path by bridging classic aesthetics with new ideas.
Kimberly and Wendy are the human manifestation of yin and yang: Wendy’s business and strategic tendencies compliment Kimberly’s creative concepts and acumen. It is this prolific and dynamic style that has carried through to Duplicity’s latest short film (having just wrapped production as of this writing). Alongside that, they are currently collaborating with a multi-faceted local Los Angeles art gallery and think-tank iam8bit for whom they are honing brand strategy and developing content. Wendy notes, “[iam8bit] fully respects our use of mixed media and cinematic flair. Our work with them has been about capturing their daily routine. We wanted to capture how owners Jon Gibson and Amanda White work together in this labor of love.” With iam8bit, Duplicity Studios is helping shepherd the journey of a company whose roots are in the video game industry (hence the name) to that of a full-fledged creative studio that spans across creative marketing, production, products, and events.
Wendy Willming: It’s been in the works for a while. Ever since we moved out here, we’ve been wanting to do this but we really needed the studio experience first.
Kimberly Willming: A lot of it is learning the industry and, between both of us, we feel like we can do just as well with all the knowledge we’ve gained to start doing our own thing.
WW: What we want is our platform to display our own works, but it’s also a creative way for us to explore the city and—
KW: And work with other artists around town. We’re going to produce content for others and it’s also a way for us to expose the elements of the entertainment industry that we’re passionate about. We’re starting with this short film we just wrote, directed, and produced. For our clients though, they have a history and it’s all about how they want that to be seen.
KW: It’s a three-and-a-half-minute Sci-Fi short. It has a very stylistic approach in the vein of Jean Pierre Jeunet in feel and tone. It’s about a female android who, one night, explores something about herself that she didn’t previously realize she could do. It’s a kind of a slice of life, if you will.
WW: It was magical the way everything came together for us on the shoot. We shot at Ray’s Diner near Santa Monica.
KW: What ultimately we’re looking to evoke [for any of our clients] is that old Hollywood feel but with a modern spin. Streamlining the old and the new.
WW: Definitely brands with that entrepreneurial spirit.
KW: Late nights. Early mornings. But it’s so fun!
WW: Working the nine to five can be so draining emotionally and creatively, so then to know that you have something that you’re managing and you’re passionate about more than anything...it really helps the day to day.
WW: They work in different mediums. They show prints in their galleries, they make tangibles, they do events. We’re always able to learn from them while at the same time helping them to figure out what and who they are as a company.
KM: They’re niche.
KW: We have a very clean style. And the fact that we also will produce and shoot on film in addition to digital. Everyone has a nostalgic feel lately.
WW: That classic Hollywood look never gets old.
KW: Everyone has predicted the demise of film, but really it’s just about having the knowledge. Digital is great, but I don’t think film has gone away completely—and shouldn’t. And by combining the two [digital and film] you can create a unique experience.
KW: In a year, I would like to have our feature done (script-wise) and start financing it. And also as far as clients go, a trust of brands within the city—
WW: Just having great creative collaborations.
Entertainment // March 24, 2014
Hollywood is much like playing the tables in Las Vegas. Success takes a touch of good fortune and a great deal of skill. Lena Waithe has both. A Chicago native, this Writer/Producer has taken the LA scene by storm. Just this past year, her film “Dear White People” graced Sundance audiences, her web-series “Hello Cupid" charmed small screen viewers, and she dropped a preview of her upcoming series “Twenties”– on which she’s partnered with Queen Latifah’s Flavor Unit Productions. And just this past weekend “Dear White People” was acquired by Lionsgate and Roadside Pictures. Waithe’s future is bright and she’s been sure to bring fellow creatives and close friends along on the journey. After returning from Sundance’s whirlwind, which she self-described as “life changing,” Waithe took a few moments to chat with me about her creative vision.
MW: At what point did you realize you were a writer?
LW: I knew I wanted to be a television writer when I was 7. I saw a different world and I thought, whatever this is, I want to be a part of it. I was a child with a vision – always a big reader. I loved writing and television. So, this combined my favorite things.
I studied all the greats and great television can transcend time. It’s one of the reasons I take such pride in what I do.
MW: Is there a common thread in the stories you tell?
LW: Honestly, I think I’m really good at writing female relationships. Whether they be familial, romantic, platonic, or messy. I like writing about the relationships that women have with each other.
MW: If you could accomplish one thing with your voice, what would it be?
LW: To do what A Different World did for me, for someone else - allow people to see a better version of themselves and help them realize that the world is bigger than their backyard. A big thing too, is that I’d like to hold up a mirror to reflect the faces that are looking at it. I really want people to feel a connection to the characters that I write.
MW: Where do you think current programming is lacking in that regard?
LW: I think there’s a lot of aspirational stuff, which is fine. There’s a lot of stuff that doesn’t require characters to look inward. Usually, when you see a show that’s well done – it has a great impact because it’s really about flawed characters that are self-aware and are really trying to improve themselves. It’s about them trying to be better people. And I think that’s every human being’s journey. That’s why people hook into these characters more than these glossy characters with these fabulous lives.
MW: What creatives have helped influence your process?
LW: A person who really is my all-time hero is Susan Fales-Hill. She started out as an intern on The Cosby Show and Dr. Cosby thought she’d be a great fit for A Different World. I got a chance to sit down and have coffee with her. She’s very classy, and played a huge role in setting the stage for Mara Brock Akil and Shonda Rhimes. She has influenced my whole career. When we finally met, it was full-circle moment for me.
MW: What has been the most difficult part of your career and how did you overcome it?
LW: The difficult part is writing and rewriting bad scripts when you first start. That’s the hardest part. Everything you do isn’t going to be as great as you want it to be – it’s just not. That process of learning how to take notes and trying to find your voice – that’s hard. All this stuff about the industry, everyone is going to have a tough time. This is a hard business period. But to me the hard part is the internal journey to continue to go on and become the artist you want to be.
LW:Be great in whatever it is that you do. If you aren’t great at it, then everything you’re doing now should be working towards becoming great. When you’re great, good things will happen.
To those of you who jumped ahead to find out what’s next for Ms. Waithe, she kept things close to the chest. Good news: she says that great things are “brewing,” "Twenties" has found a home and Justin Semien ("Dear White People") will be involved, and there’s a secret project in the works with Issa Rae. It’s nice to know that the house doesn’t always win.
Follow Lena on Twitter: @hillmangrad
I don’t know about you but I found last night’s Oscars immensely entertaining. Host Ellen DeGeneres eased the audience with her unique brand of humor, interacting with them, even serving A-listers delivery pizza and tweeting selfies with the likes of Meryl Streep and Bradley Cooper. As you can imagine, the resulting frenzy broke Twitter for a few minutes.
But the big winners of the night were arguably some of the most hard-hitting and memorable nominees of last year. Taking home the most coveted spot of the night was 12 Years A Slave, the amazing story of free African-American man, who was kidnapped and sold into slavery and had to fight to regain his freedom in a pre-Civil War America. The film won the award for Best Picture and Best Adapted Screenplay as well as earning newcomer Lupita Nyong’o the award for Best Supporting Actress for her role in the film.
12 Years A Slave wasn’t the only film that swept multiple award categories last night. Dallas Buyers Club, starring Matthew McConaughey, who plays an HIV positive man working to find proper medical care and acceptance in the heart of Texas, earned he and co-star Jared Leto, Oscars for Best Actor and Best Supporting Actor respectively.
The film also scored the award for Best Makeup and Hairstyling. Award winners Adruitha Lee and Robin Mathews said they only had a $250 budget and had to showcase the transformation from sick to healthy with only makeup.
Another film that won multiple awards was Gravity, the space adventure drama starring Sandra Bullock and George Clooney, where the stars face their own demons as well as the fight for survival. The film won the awards for Best Directing, -- making director Alfonso Cuarón the first Latin-American director to win this honor-- Best Cinematography, Best Visual Effects, Best Film Editing, Best Sound Editing, Best Sound Mixing and Best Original Score. Basically, if you want to experience a movie that is going to push the boundaries on visual effects and sound, this is the movie to see.
Following the accolades of critics, frontrunner Cate Blanchett won the award for Best Actress for her role in Woody Allen’s film Blue Jasmine, adding to her Golden Globe, SAG and BAFTA awards for the role as well.
Disney fans can also rest easy, as fan and critic favorite film Frozen, won the awards for Best Animated Feature as well as Best Original Song for “Let It Go.”
Other notable awards included Spike Jonze’s modern story of love and technology Her, which took home the award for Best Original Screenplay, Italian film The Great Beauty, which took home the award for Best Foreign Language Film, and 20 Feet From Stardom, which won the Oscar for Best Documentary Feature.
Noticeably absent from the awards was fan-favorite 70's era American Hustle, as well as the greed and debauchery themed Wolf of Wall Street, which both had nominations in a number of categories, but did not take home any Oscar wins.
Which were your favorite films this year? Did you agree with the award selections? Tell us your thoughts in the comments or tweet us at @MadeWomanMag!
At Made Woman, we’re always on the lookout for artists that make us sit up and take notice. Great music is made only by those of equally great stature and initiative. As the calendar turns over another year, our eyes and ears are refreshed. We eagerly anticipate those who will define the musical landscape of 2014. We’re betting these five ladies below will be making this year their own. These are the Top 5 Female Artists to look out for in 2014:
Why she’s Made: Yuna is a Los Angeles-based artist with Malaysian roots bringing a sultry and emotive quality to today’s pop music. Her sound fits into the music annals alongside others like Sia and Corinne Bailey Rae. She can sometimes be as sweet as sunshine, and at others, pull at your heart with the sweet aching nature of her crystalline voice. Yuna began her career with the help of MySpace in 2006, catching the ear of US music labels. Undeterred by the lack of instant mainstream success, Yuna has continued to push forward in the music scene the last nine years, both releasing LPs and EPs and working with music mavens like Pharrell, along the way. She spent the later half of 2013 finally making waves with the release of her latest Nocturnal album, so look for Yuna to take over the music scene in 2014.
Why she’s Made: You might not know her by name, but chances are you (and 54MM other people) have heard her cover of Bon Iver’s “Skinny Love”. Birdy, also known as Jasmine van den Bogaerde, can make you feel bad about yourself without even really trying. At just 17 years old this Brit made a splash with her beautifully epic record of covers, and this year she is back to enchant with an entirely original album including a track from The Hunger Games soundtrack. She was recently featured on the star-turning Morning Becomes Eclectic program on Los Angeles’ taste-making KCRW radio station.
Why she’s Made: Angel Haze is the benefactor of so many musical talents you’d be inclined to think she had multiple personalities. She has innate abilities as a hard-driving rapper and lyricist and is an equally pure vocalist. It is a duality which makes me, of course, think of another phenom: the talented Ms. Lauryn Hill. At 22, Detroit-native Haze looks no more than 15 because -- you guessed it -- she has the face of an angel. An embattled childhood, an independent mind and an unflinching desire for the world to hear her music are what fuel Angel Haze. She recently leaked her own studio debut Dirty Gold ahead of its release. You’ll be thanking her that she did.
Why she’s Made: Another “Angel” tops our list for 2014. Though she, too, often uses music to exorcise some of life’s most tormenting demons, this Angel finds her home in the singer-songwriter genre. There is no pretense about Chicago-based singer-songwriter Angel Olsen. Her style moves counter to the trends of today’s soundscape -- raw, stripped-down and beautifully underproduced. I had the pleasure of seeing her live last year, and Olsen’s performance was beautifully understated belying her grand voice. A voice that is both staggering and unique; and untrained in the best way possible. It sits somewhere comfortably between an operatic belt and the country call of a yodel. Witnessing her natural display, the range and fluidity of her swoons and croons, is spiritual. Her presence will be in no shortage this year as her sophomore LP Burn Your Fire For No Witness is out February 18th.
Why she’s Made: The second Brit on our list occupies the space between AlunaGeorge and Amy Winehouse. Her cadence is playful and her sound is jazzy ala Winehouse on her freshman effort Frank; but Ingram additionally introduces buoyant elements of early 90’s R&B. Last year after covering Kendrick Lamar’s “Poetic Justice” and releasing a take-notice EP, Sober, Ingram signed to Island Records (also home to the late, great Ms. Winehouse). In 2014 the sky's the limit for this import.
The veteran songstress and songwriter was well into her 90-minute set at Yoshi’s Jazz Club last night when she unexpectedly announced to the crowd that she was considering a career change. “I’ve been reading about music as a healing modality and I’m hoping that that is the next step that I can take a foray into and make part of my profession.”
The announcement was quite appropriate. Last October, Amel Larrieux released “Ice Cream Everyday,” the long-awaited and oft-delayed studio LP. It had been six years since her last studio album, Lovely Standards (jazz), and seven years since she’d released an album comprised of her own original material. Her fans were long overdue for some of her “music therapy” and rushed to the iTunes store on the release day to download Larrieux’s latest installment. So far, the album’s first single, “Afraid,” reached number 16 on the Adult R&B Songs chart.
Throughout her set on Sunday night, Larrieux seamlessly weaved through material from all six of her albums. She eased into the performance with one of her new songs from Ice Cream, “A Million Sapphires,” establishing a deep and focused tone, followed by “Magic” and “We Can Be New.”
But the energy of the show ascended to new heights with the song “You Don’t See Me,” as the music seemed to transform Larrieux from R&B crooner into a Hip-Hop lyricist. While even throwing in a couple freestyle lyrics about her ‘drink and her two-step,’ Larrieux prowled and sashayed across the stage with a swag that would’ve made Biggie pass her the mic.
And in classic Larrieux fashion, she showed her range and repertoire by performing a cover of Madonna’s “What it Feels Like For a Girl.” With only her daughter, Sky Larrieux, accompanying her on keyboards, the deconstructed version of “Girl” became exceedingly thoughtful and introspective.
She followed with two favorites from the Morning album, “Unanswered Questions,” and “Gills and Tails.” But the show elevated once again as she performed the hypnotic new song, “Danger,” a lesson in unlearning the culturally-driven ideas that create fear, hate, and devaluing of self. Larrieux fans have always enjoyed Larrieux’s ability to infuse refreshing social commentary in her disarming music. “Danger” is the latest of such works and does not disappoint.
For the final stretch, Amel brought back a couple of her classics, “Infinite Possibilities” and “INI.” But the crowd came alive with the ballad, “I Do Take,” which will undoubtedly become the new wedding song for 2014.
She followed that with the cherished “For Real,” and the show was rounded out with the iconic Groove Theory hit “Tell Me,” with the entire audience singing and dancing along.
The show was perfectly imperfect, with minor hiccups here and there. But members of the Amel faithful who have been patiently waiting for her return to the stage felt like it was well worth the wait. One concert-goer told me, “It’s amazing and I don’t know what it is about her, but now I feel totally inspired and ready to tackle my own challenges and goals. I have a big interview this week and this is just what I needed.”
We also got a chance to catch up with the singer after the show for an exclusive Made Woman Mag interview, so make sure to check out Part Two of this article later this week. But in the meantime, to get your own dose of music therapy, pick up Ice Cream Everyday. And if you’re in the Seattle or Washington D.C. area, make sure to check out one of her upcoming shows this month.
I hate trends. Trends in music, fashion, beauty, TV … it’s just not my thing. I learned my lesson with trends years ago (remember velour Juicy sweatsuits and Sidekicks? Terrible.) and now I’ve found that I’m better off remaining true to my individuality and not following behind something because it’s popular. More than my dislike of trends, is my disdain for the avalanche effect they cause. Often times, people rally behind a trend uninformed, dragging other ignorant supporters with them. Before you know it, the crazy train is so long and out of control it’s hard to tell where or how it even originated. Example? Hollywood’s obsession with telling the “Black Story.”
Within the past couple of years, Hollywood has had a resurgence in the trend of telling African American history through slavery or Jim Crow inspired struggle films and casting Black actors in self-deprecating roles. I started to notice the trend with 2011’s ever-popular “The Help.” “The Help” captivated audiences with it’s telling of life in the Jim Crow South. The film’s success included Oscar nominations for Viola Davis and Octavia Spencer, followed by ample magazine covers, interviews and media coverage; thus, starting the snowball effect of Hollywood’s interest in African American history with Black actors and actresses portraying the less than glamorous side of their heritage. Since “The Help,” Hollywood continues to capitalize on that specific culture with studios releasing “Django,” “The Butler,” and most recently “12 Years a Slave.”
Most of the aforementioned films have received rave reviews, but when you have to emotionally prepare yourself for the language, visuals and subject matter of a film, I think it’s time to dial back on the period pieces. We get it - African Americans have a rough history, but for many Black people having to hear depictions or see reenactments of their background over and over again, it becomes insensitive. Hollywood has OD’d on slavery/struggle films and should spark a new trend du jour in telling Black history. Black people were more than maids and field slaves; they also have made a wealth of advancements and achievements not only for their culture, but for American culture as a whole. But I guess those stories are not trendy enough for Hollywood.
I never thought I’d say this but the 1990’s fashion brand FUBU had it right ... with it’s focus on creating things “For Us, By Us.” If history is going to be told, no one can tell a story better than the person who lived it. When it comes to Black history, Black people should be the ones telling the story - the WHOLE story. Thanks to innovators like director Spike Lee or Howard Johnson, who’s publishing house highlights the achievements of Black people through their publications Ebony and Jet, is the true Black story told. Past and present, African Americans are a forward -moving people and that cannot be ignored. Recently, cable network BET (Black Entertainment Television) had a presentation honoring not just the achievements of Black people, but specifically of Black women titled, “Black Girls ROCK!” The showcase was a whirlwind of positivity displaying just how multi-dimensional Black culture truly is.
It’s high time Hollywood takes an interest in the constructive side of Black history - for heaven’s sake, the leader of the free world is a Black man. There is a whole spectrum of colorful, rich stories from African American history. If the accurate and real portrayal of Black heritage is to be told by Hollywood, the least they can do is their research.
How do you feel about the trend in Jim Crow/slavery themed movies? Tell us in the comments below.
DJ Lady Sha isn’t afraid to throw off the yoke of tradition in favor of the road less traveled. She is a genre-defying trailblazer in the male-dominated world of DJ-ing. Originally set on a course to study medicine at UC Berkely, Sha bucked medical school for a life of turntables and dance floors -- and she hasn’t looked back. She is an award-winning, globe-trotting entrepreneur whose diligently cultivated and eclectic sets helped her to become the first female to win the Winter Music Conference DJ Spin-off (2008). Although based in Los Angeles, Sha’s drive and spinning prowess has taken her the world wide to New York, Miami, Jamaica, and South Africa, where in 2004 she was the first woman to spin live on South African air waves. I got the chance to chat with Lady Sha after she DJ’ed the Made Woman 2 Year event:
Lady Sha: Always, thanks to my Mom and Dad! Whether waking us up with music on weekend mornings or playing it in the car, we were always listening to something. Back then it was a mix of my mom’s favorites from Persian music to Elton John, Whitney Houston, Michael Jackson, etc... or my Dad’s choice – anything on KCRW.
Lady Sha: I love such a huge range of music from pop to underground, hip hop to dance music, and even country jams that I don’t consider anything a guilty pleasure. Most days I’m digging through hundreds of new and old mp3’s to see what I want to include in my sets, so when I have time to listen to music for pleasure, I just go with whatever I’m in the mood for at that time. On my runs, I like to listen to hip hop and dance music for example. In the car after a long night, I like to listen to KCRW late-night or a country station, something completely different than what I was just playing at an event for four hours.
Lady Sha: I didn’t even know I WAS interested in DJ-ing a little over a decade ago. While I was at UC Berkeley as an undergrad studying Pre-Med & Anthropology, my neighbor happened to be DJ Phatrick. He asked me to sit in on one of his DJ courses on campus. At first I told him I was too busy – not only with school, but with my hobbies as a guitarist, singer, and member of the UC Berkeley Poetry Slam team. With his convincing though, I sat in on his class and fell in love from that moment on. Two weeks after the course ended I bought my own turntables.
Lady Sha: I think the most valuable advice I can give is to have clear focus on where you’d like to go, make sure your entrepreneurial signature is creative and original -- or improving upon what already exists -- and have a phenomenal work ethic to achieve your vision.
Lady Sha: DJ-ing more frequently and working around the clock to showcase my style and abilities at gigs and with mix CDs, my mark slowly became increasingly noticeable and present in Los Angeles. Now to expand that to the world...
Lady Sha: The pioneers of hip hop and dj-ing were male and to quote the film Miss Representation, “you can't be what you can't see”, so I think it took some time for females to break into dj-ing. I hear about so many more females DJ-ing now than 10 years ago. There’s a snowball effect of more and more females entering the industry and finally evening out the playing field!
Lady Sha: I’ve had a ton of fun at DJ gigs in New York, Miami, Rome, Vegas, and San Francisco as well as in countries such as South Africa and Jamaica. However, nothing is as amazing as a popping dance floor in LA filled with the intense energy of my friends and people that have danced to my sets over the years.
Lady Sha: Not only do musical tastes differ in club scenes around the world, but also from club to club here in LA and from night to night in each venue. One night you may have a hip hop crowd, another night a dance music crowd, and on another night, a crowd that wants to go on a genre-hopping journey with the DJ of the night.
Lady Sha: My absolute favorite thing to do when I DJ is to play for a crowd that will let me take them on a ride through different genres from hip hop to trap, dubstep, dance music, indie-rock, and hip hop and R&B jams from the 80s and 90s. I’m not happy having to stick to any one genre.
Lady Sha: Show Me Love – Robin S. The only variable is what I pair before and after the song that affect the impact the song has on the crowd.
Since her new and improved website launches in early November, it’s easy to stay up to date on all of DJ Lady Sha’s happenings including daily updates on her performance schedule and new videos and mixes. But in the meantime to get your fix, you can check out Sha on Instagram, Twitter and Facebook.
Rachel Garcia and Thu Tran are The Singer & The Songwriter. The duo’s California-folk whimsy updates the swinging sounds of the gypsy jazz of the 1930s and ‘40s; a style that even in its heyday marched to its own beat, so to speak. Garcia’s sultry and booming jazz vocals are the anchor of the duo. A choir singer from a young age, it’s no wonder where Garcia learned to develop her standout voice. I first stumbled upon the duo at the modest 2nd Annual Make Music LA event in Silverlake earlier this summer. The acoustic event was little more than a rug to stand on for the would-be troubadours of the day. It was difficult to hear the day’s acts above the careening shopping carts and murmurs of the Friday afternoon weekend seekers; but Rachel Garcia was not only heard -- she put an exclamation point on the day with her richly textured voice.
As independent musicians in this niche genre, it’s fitting then that The Singer and The Songwriter display a special kind of moxie and are charting their own course without the backing of a major label. "There are a lot of unknowns and fear in being an independent artist, but the other side of the coin is the creative freedom [...] I get to choose who I want to be, what I want to sing and how I want to present myself. The effect that this freedom has is you learn to trust and rely on yourself and your band mate." Garcia and her partner in crime,“Songwriter” and guitarist, Thu Tran began playing together in 2009 in San Francisco. After, a move to Los Angeles the duo hit their stride and have spent the last two years writing and recording. The Singer and The Songwriter are now primed to release their first full-length album, What A Difference A Melody Makes. Just recently the outfit launched their Kickstarter campaign in an effort to put the finishing touches on their LP. The ingenuity and creativity of The Singer and The Songwriter are what enable the duo to carve out a path distinctly and charmingly their own.
The wildcard that also makes The Singer and The Songwriter one to watch in the folk scene is the album’s producer, Charlie Stavish. Stavish has worked on albums for bands such as Imagine Dragons, Foster The People, and The Joy Formidable. With a delicate hand to polish off the album, The Singer and The Songwriter could be ready to breathe new life into LA’s folk scene.
One thing that is good about the end of summer is saying goodbye to dull summer programing and hello to new hit programs and to the return of our favorite TV shows. So go ahead and set the DVR, here are the shows that we can’t wait to watch.
If you are missing a great crime/drama/thriller in your TV lineup, The Blacklist should be at the top of your list. Fans of Persons of Interest, 24 and The Silence of the Lambs will enjoy Emmy award winner James Spader as Raymond Reddington, one of the most wanted men in America. He strikes a deal with the FBI to catch elusive criminals and will only work with one small-time agent,, Elizabeth Keen (Megan Boone). Fans will enjoy fast-paced thrills and Spader’s psychological exploration of each case, as well as uncovering his own agenda.
Another thriller we are adding to our must-watch list is suspense thriller Hostages, coming to CBS in September. The show centers around Ellen Sanders (Toni Collette), a surgeon who is scheduled to operate on the President. But when a FBI agent kidnaps her family to force her to kill the president, she holds the nation and her family’s lives in her hands.
Fans of The Avengers have a reason to rejoice: Agent Coulson is alive and well and is on a mission to save the world (again). Joss Whedon brings this mega-blockbuster to TV as Coulson (Clark Gregg) and puts together a top-secret team of super agents to help save the world from intergalactic threats. Sci-fi and fantasy fans will be eager to see Whedon’s latest TV series and comic book buffs will be eager to see a favorite series brought to life.
One of our favorite comedies, ABC’s Modern Family, is coming back for its 5th season and promises to bring the laughs and warm hearts all over again. The family experiences new changes as Manny (Rico Rodriguez) and Luke (Nolan Gould) head to high school, Cam (Eric Stonestreet) adjusts to his job as a teacher and Claire (Julie Bowen) tries to reenter the workforce.
ABC’s hit show Scandal returns for what promises to be a sizzling 3rd season. Show creator Shonda Rhimes has hinted that the new season may pick up right where it left off, after a huge plot twist and reveal in the season two finale where viewers find out that Rowan (Joe Morton), leader of black ops team B613 is actually Olivia’s (Kerry Washington) father. Fans will be treated to nail-biting turns as Olivia continues to deal with a media frenzy after being outed as President Grant’s (Tony Goldwyn) mistress and delve into who leaked the news.
ABC is adding another real world meets fantasy show to its lineup with Once Upon a Time in Wonderland, a spinoff of their hit show Once Upon a Time (which we will also be watching). The original show includes some of our favorite fairy tale characters with a twist and places them in modern times. Once Upon a Time in Wonderland is based on Alice in Wonderland characters (obviously) and includes favorites like Alice (Sophie Lowe), the White Rabbit (John Lithgrow) and the Queen of Hearts (Barbara Hershey). Fans will also see even more favorite characters from other stories like Jafar (Naveen Andrews) from Aladdin.
After a season of heartbreak and shocking surprises (Andrea!), hit show The Walking Dead returns to AMC in October for its fourth season with a whole new set of problems and new cast members to fall in love with. The official season four 4 trailer shows walkers piling up on the prison and hints at a possible mole in the group. Fans of the show will enjoy learning more of the backstory behind fan favorite character Michonne (Danai Gurira) and plenty of screentime for Daryl (Norman Reedus).
J.J. Abrams is keeping busy. Between Star Trek and the upcoming Star Wars mega franchises, he is producing another sci-fi meets cop drama Almost Human for FOX. Fans of his previous sci-fi/fantasy/mystery dramas Fringe and LOST will enjoy the themes and premises in the show as well as the traditional elements of a cop drama brought to a whole new level. Almost Human explores LAPD officers who are paired with highly advanced androids. Be prepared to experience the differences between human intuition and computer logic and to explore your feelings about technologically advanced robocops.
What shows will you be watching this fall? Leave your comments below or tweet us your thoughts on fall hits @madewomanmag!